Author Archives: joanslack

Fiber art workshop-Santa Fe overview

IMG_0147-001DSCF3970If you love art and travel, our upcoming fiber art workshops are for you! The Santa Fe workshop will take place in April and promises to be a truly unique and in-depth experience. Not only will we be visiting a wealth of regional sites, we will also be creating fiber art pieces to interpret the landscape in our workshop. Each day will be filled with time to explore, absorb and create. We will visit local galleries and learn about the intricate pueblo pottery designs, and visit to the area rock art sites will be sure to inspire.

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We will be delving into needle felted landscape “painting”, using colored fleece to create impressions of the region. I have taught this technique in many workshops, both regionally and nationally, as well as in Ireland. During two week long workshops at John Campbell Folk School in North Carolina, we explored a multitude of ways to work with fleece and create original designs. First, we discuss composition, color and size, and how to create the most compelling design. Students often use photographs or sketches of DSCF8228places we have visited as inspiration, composing from their “visual” notes. After laying the fleece on a pre-felt background, being careful to add enough layers, we begin felting. Layers and colors are built up and adjusted to create a background. 
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Then, once the student is satisfied with the layout, more details can be added. All of this is done with various sizes of needle felting tools, and  truly, no experience is necessary to create a sDSCF8206successful piece. We take tie to step back and discuss the progress, make adjustments and continue on. Felting this way is so satisfying and exciting! While DSC_0627landscapes are the focus, we leave plenty of time and opportunity for students to explore further, expand an idea, and go down a creative path.

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J. Campbell Felt class 027J. Campbell Felt class 035We hope you can join us for our Santa Fe workshop in April. Art galleries, ancient petrolgyphs, weavers, mountains, desert and valleys, pueblos, and fine cuisine guaranteed!  See all the details on out tour page about Santa Fe.

Categories: Fiber art tours, Santa Fe | Tags: , , , , , , , , ,

Landscape, Art and Story

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When we travel, many of us want to capture and retain the memory of a beautiful place, but find it challenging. A photo captures one DSC_0942moment, the light just then, and focuses upon a single image. Offering tours combined with workshops that allow people to explore more deeply the place around them is a passion of mine. At this time,I am offering 2 upcoming workshops that allow time to translate the place and stories  into art- and no experience is required! This is the appeal of feltmaking- it is quite easy to learn, and one can paint with the fiber to create striking works of art.

I have recently finished several felted pieces that resonate with the landscapes of IrelDSC_0447and and Scotland, as well as the place I live- the northwoods of Wisconsin and Lake Superior coast. These are examples of the type of feltmaking we will be doing in the upcoming workshops/tours. For more information see our brochures on this site and if travel and art appeal to you, please join us! Fiber art tour to IrelandDSC_0953

 Felting the Southwest Landscape   Click here to download the full brochure

 

Categories: Fiber art tours, Ireland, Santa Fe | Tags: , , , , , , , , , , ,

New discoveries in ancient Scotland!

I have led several trips to Orkney, at the very north tip of Scotland, where amazing archaeological and World Heritage Sites exist. I am sharing this article about recent finds there at the Ness of Brodgar. We are hoping to plan another trip there in the future, so keep checking on developments on our website if you are interested!

 

 

 

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The baby in Structure One

We have rather sombre news today. Five thousand years ago, a tiny child, who died, at or near, birth, was buried in Structure One. The discovery was made by Andy Boyar, an experienced excavator and one of our Masters students, who was digging at the south end of the building.

The fragile skeleton was lying on its side in a flexed position and it is enormous credit to Andy that she recognised the tiny bones and then excavated them with exquisite care.

Andy and Natasha carefully record the burial as it is prepared for lifting.

As is required by Scots Law, the police were called to examine the scene and the bones were then removed for safe keeping.

They have been gently cleaned and laid out to see how much of the skeleton has survived.

The preservation of the bones is remarkable.

Even with adult skeletons on archaeological sites it is very easy to miss the small bones of the hands and feet.

In this case, we have many of these bones and have recovered a substantial proportion of the skeleton.

In addition to Andy’s sterling work, we were fortunate to have Natasha Powers on site.

The bones after being gently washed and sorted.

Natasha digs at the Ness, but is also an experienced osteologist with the Museum of London and her advice was invaluable to Andy.

The bones will be examined for any more information which can be recovered and we can assure all those who are concerned by such things that they will be treated with the utmost respect and dignity.

The discovery is most unusual as the remains of children are under-represented in the archaeological record.

Some have been recorded at sites in Orkney, such as Quanterness, the Tomb of the Eagles and Banks, but if children were fully represented in the record, we would have expected many more of them to be present.

It is possible that the high infant mortality rate, thousands of years ago, may have led them not to be recognised as fully “human” until they had reached what might be described as a survivable age.

In that respect, the careful burial of this neonatal child, in an important building at the Ness, hints at a care and concern which may be greater than the normal.

We should also note that it is often difficult for diggers to deal with the remains of children and Andy will testify that Nick and structure supervisor, Dan, took particular care to ensure that she was comfortable with, and accepting of, the task.

It is interesting to note that although other human bone has been discovered at the Ness, these have all been isolated fragments, apart from one other child burial, recovered, from Trench J, in 2007.

Mark with the macehead.

Meanwhile, over in Structure Twelve, supervisor Jim and Nick have been discussing the latest thinking on the floor levels within the building.

The floor is uneven, but it now seems clear that the thick yellow clay is from Phase Two and not Phase One, as feared earlier.

What this means is that there is likely to be at least 20cm of Phase Two floor still in Structure Twelve.

All of this will take considerable time and effort to record, sample and remove before the upper layer of Phase One is even reached.

What are you planning to do for the next ten years, Jim?

We have more news of two earlier finds.

Mark’s macehead, which we originally thought might be bone, turned out to be made of aeolianite — a sort of compressed blown sand formation.

This explains why the artefact, while appearing, under a microscope, to be stone, was actually extremely light and formed of this material, which is found in several ancient deposits across Orkney.

We’re not sure if we can describe this as unique, but we cannot recall any other examples anywhere else.

The extremely fine pottery that Georgie discovered — it's more like porcelain than Grooved Ware.

Yesterday, we told you that Georgie had found a crushed, decorated pot, near to where the very fine incised stone was recovered last week.

Now the pot is out of the ground, we can see that it is, indeed, badly crushed, while remaining embedded in, and on, a large lump of midden.

Despite that, we can identify extremely fine, and beautifully executed, decoration incised into the body of what could be the finest vessel we have seen at the Ness.

The walls of the pot may be no thicker than three millimetres, which is remarkable for a Neolithic Grooved Ware vessel.

The task now is to let the midden and pot dry before trying to separate them.

This will undoubtedly result in more fragmentation of the vessel, but we should be able to bring the pieces together and to understand more fully what this potentially important vessel represents.

Today, we were visited by Paul Nicholson, a photographer from the Borders, who is on holiday in Orkney.

Paul brought with him his 360-degree camera and took photographs, which will represent yet another method of recording the site.

In that respect, Mark carried out yet more laser recording of the site today and hopes to complete that task tomorrow . . . when we will see you all once more.

Thanks to http://www.orkneyjar.com/ for sharing this!

Categories: Prehistoric art, Scotland | Tags: , , , ,

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