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Pangur Ban and early Irish monks

 

This poem by an Irish scholar is one of my favorites, and brings to life the tasks of those who worked on Psalters such as the Book of Kells. Pangúr Bán is probably the most famous surviving poem from Early Ireland. Composed by an Irish monk sometime around the 9th century AD, the text compares the scholar’s work with the activities of a pet cat, Pangúr Bán. It is now preserved in the Reichnenau Primer at St. Paul’s Abbey in the Lavanttal, Austria. The version detailed below is Robin Flower‘s translation of the poem from Old Irish.Thanks to Irish Archaeology for this material.

 

I and Pangúr Bán my cat,
‘Tis a like task we are at:
Hunting mice is his delight,
Hunting words I sit all night.

Better far than praise of men
‘Tis to sit with book and pen;
Pangúr bears me no ill-will,
He too plies his simple skill.

‘Tis a merry task to see
At our tasks how glad are we,
When at home we sit and find
Entertainment to our mind.

Oftentimes a mouse will stray
In the hero Pangúr’s way;
Oftentimes my keen thought set
Takes a meaning in its net.

‘Gainst the wall he sets his eye
Full and fierce and sharp and sly;
‘Gainst the wall of knowledge I
All my little wisdom try.

When a mouse darts from its den,
O how glad is Pangur then!
O what gladness do I prove
When I solve the doubts I love!

So in peace our task we ply,
Pangúr Bán, my cat, and I;
In our arts we find our bliss,
I have mine and he has his.

Practice every day has made
Pangúr perfect in his trade;
I get wisdom day and night
Turning darkness into light.

 The original poem text in the Reichenau Primer


 The poem is written in Old Irish and was probably composed by an Irish monk who was studying at a continental  European monastery.

 Image Source

 

If you hop to this link by Irish Archaeology, you can read more about this lovely piece of Irish History

https://www.facebook.com/hashtag/fromthevaults?source=feed_text&story_id=877055832346505

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The Artistry of The Book of Kells

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One cannot help but be amazed at the intricacy, artistry, and beauty of the illuminated manuscripts in the exhibit at Trinity College. Several illustrated books of psalms and gospels are displayed, and on my tours in Ireland I always make it a point to guide people through the exhibit, pointing out the steps involved in bookbinding, mixing  pigments, calligraphy, and creating quill pens. The intricate Celtic knotwork designs, depictions of monks patiently transcribing, and the glorious hues of lapis lazuli, crimson and gold all create page after page of stunning artistry.

Some of the items created for personal adornment  or religious rituals echo the same design mastery as in these pieces:

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To read more about the Book of Kells see this link:

http://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS58_003v

 

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The Beginnings of Authentic Travel

Ireland trips

The Beginnings of Authentic Travel

In 1998 I developed an Irish Art history course while working toward my Master’s Degree in Visual Arts. Having an Irish background (both of my mother’s parents were from Tipperary) was the catalyst for my first trip to Ireland, which I took with my sister Patt and her husband Jim. We took a whirlwind tour that began in Dublin, then went to Belfast, where Jim’s sister Kathleen lives and teaches. It was an eye opening experience. Kathleen guided us around the city, and the murals from both Catholic and Protestant factions were a visual insight into the “Troubles” that persisted even at that time. Thankfully, a more peaceful situation exists today. We drove west to County Mayo, visiting relatives, then to Tipperary, or “up Tipp” as the area is referred to where my people come from. Mary, my grandmother’s niece, lived in the family home, and she and her sister Kitty welcomed us with open arms, lots of tea, and heaping platters of food on the table…true Irish hospitality. It felt like a homecoming as more relatives came over to say hello and meet the Americans. Mary took us to the local cemetery, where I found out about ancestors I never had known…and thus began my Irish adventures. They led to me receiving dual citizenship, and developing an Irish Art history component to my graduate studies. This involved studying the prehistoric side of Ireland-archaeology, pottery, landscape, architecture, and culture, which I did by traveling there each semester and researching sites all over the country. Visits with family were always a highlight, as were the local guides I sought out to show me the “hidden” places, or reveal the story of a place through legends, myths and folklore. Music, art and dance added to the tapestry of contemporary Irish life, and I met artists, visited galleries, and attended theatre whenever possible. Music sessions in the pubs are a long tradition in Ireland, and one can always count on hearing talented musicians and spontaneous, unexpected, and uplifting sessions. And, there were times tears came to my eyes as an elderly gentleman rose and sang a cappella to a hushed bar. Ireland felt like home, and I knew that I had just begun a lifelong love for this beautiful, rugged, sophisticated, artistic and mysterious place.

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