Posts Tagged With: artist led tour to Ireland

Artwork Sampler by Joan Slack

If you are thinking about taking a travel workshop, this page will give you some examples of your instructor’s artwork and style. You can also see more about Joan’s art at http://www.riverrunarts.com and http://www.joanslack.com 

Below is a photo gallery of my most recent artwork. People who have traveled on our tours know that in addition to being a tour leader, workshop  instructor and gallery owner, I am an artist who works in clay and fiber. Most of these pieces were completed this summer. Some were inspired by travels and sketches or photos of places have been my inspiration. I love sharing techniques that I have learned, and helping people find their own style and “voice” through art workshops. Combining travel to beautiful places only enhances the quality of art produced even more! (All artwork is by Joan Molloy Slack and copyrighted by the artist, and may not be reproduced without permission.)
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Categories: Fiber art tours | Tags: , , , , , , ,

Landscape, Art and Story

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When we travel, many of us want to capture and retain the memory of a beautiful place, but find it challenging. A photo captures one DSC_0942moment, the light just then, and focuses upon a single image. Offering tours combined with workshops that allow people to explore more deeply the place around them is a passion of mine. At this time,I am offering 2 upcoming workshops that allow time to translate the place and stories  into art- and no experience is required! This is the appeal of feltmaking- it is quite easy to learn, and one can paint with the fiber to create striking works of art.

I have recently finished several felted pieces that resonate with the landscapes of IrelDSC_0447and and Scotland, as well as the place I live- the northwoods of Wisconsin and Lake Superior coast. These are examples of the type of feltmaking we will be doing in the upcoming workshops/tours. For more information see our brochures on this site and if travel and art appeal to you, please join us! Fiber art tour to IrelandDSC_0953

 Felting the Southwest Landscape   Click here to download the full brochure

 

Categories: Fiber art tours, Ireland, Santa Fe | Tags: , , , , , , , , , , ,

I have visited and taken groups of people to Newgrange often, and have never lost my awe for this ancient place. the mysteries still remain about the purpose-for example- it is completely overbuilt, and much, much larger than it needs to be for the inner structure it holds. Why? The rock carvings are stunning, but also mysterious. Volumes have been written about them, trying to decipher this language we can no longer read. This article via Irish Archaeology gives us a glimpse of this magical place through the ages. Enjoy!

Images of Newgrange through the ages

Newgrange photoThe Neolithic  passage tomb at Newgrange is the most visited archaeological site in Ireland. Over 5000 years old it pre-dates the first phase of Stonehenge by 1000 years and the Egyptian pyramids by 400 years. It is a truly massive structure measuring 76 m in diameter by 12 m in height and it contains over 200,000 tonnes of earth and stone in its fabric. Indeed, it’s glistening façade of quartz is one of the country’s most memorable vistas.  However, as the images below attest, Newgrange has not always looked so pristine.

Newgrange Edward Lhywd

1699: This image shows Edward Lhywd’s survey of Newgrange (after Stout & Stout 2008, p. 98, fig. 66). It is the first known plan of the tomb and it was drawn shortly after the entrance into the mound was rediscovered in 1699. Up until that date the entrance had actually been sealed and it was only uncovered again when the local landowner, Charles Campbell,  began quarrying the mound for stones.

Newgrange tumulus1775: A view of  Newgrange from c. 1775 by the noted antiquarian artist Gabriel Beranger. It shows a large mound of earth and stone that is nearly devoid of trees. Although a number of the standing stones which surround the mound are illustrated, the tomb entrance is not visible (it is shown in a separate drawing).

 

Newgrange 18th century1790: This engraving of Newgrange was included in Edward Ledwich’s Antiquities of Ireland, which was published in 1790 (after Stout & Stout 2008, p. 97, fig. 65). The mound is once again shown largely treeless and in this image the passage entrance can be clearly seen. A large triangular stone, which formerly stood directly in front of the entrance is also illustrated.

 

Old photograph Newgrange

1892: A photo of Newgrange taken by George Coffey in 1892 (source). Unlike the earlier, 18th century depictions the mound  is now covered in a thick scrub of trees and bushes.

Old photo newgrange

Late 19th century: This atmospheric shot of the passage tomb entrance shows a man emerging from its dark  interior. It  was taken by R. J. Welch sometime in the late 19th century and it shows an overgrown and partially disturbed mound. Although the roofbox, through which the winter solstice sun rays should pass, is completely blocked, its decorated stone lintel can still be partially discerned c. 1 m above the entrance passageway.

Newgrange entrance

1910: A child standing at the tomb entrance, circa 1910 (source). The area around the doorway has been cleaned up considerably since Welch’s photo and an iron gate now controls access to the passageway. The soil around the beautifully decorated entrance kerbstone has also been dug out and cleared, although the roofbox remains blocked. The photo is from the National Library of Ireland’s Tempest collection.

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1950s: This photo illustrates the mounds appearance in the 1950’s prior to the start of archaeological excavations at the site in the 1960s (source).

Newgrange tomb

1950s: A close up of the entrance into Newgrange prior to the 1960s excavations and the subsequent restoration work (photo OPW).

newgrange excavation

1967-67: These two image show the archaeological excavation underway at Newgrange (source). This extensive work was carried out between 1962 and 1967 under the expert direction of  Professor M. J. O’Kelly. It revealed a wealth of information about the monuments origins and history. However, by its very nature is saw much of the mound material removed and this had to be reinstated after the archaeological excavation was completed.

Newgrange passage

1967-74: Works on repairing the mound and its surrounds began in earnest in 1967 and were not fully completed until 1974. This image shows the  passageway being reconstructed and reinforced. Professor O’Kelly (second from the right) is pointing towards the roofbox (after Stout & Stout 2008, p. 47, fig. 30) .

Newgrange quartz

1967-74: Probably the greatest change seen during these restoration works was the addition of 3 m high quartz wall to the front of the tomb. This addition to the monument was based on M. J. O’Kelly’s interpretation of the excavation results. He had discovered a thick layer of quartz stones spreading out in front of the tomb kerbstones for a distance of approximately 7 m, which he believed  represented the remains of a collapsed wall.  Thus on his advice a quartz facade was added to the tomb. However, as the quartz wall was deemed too unstable to support the weight of the cairn on its own, a 4 m high, reinforced steel and concrete wall had to be erected behind it. The quartz stones were then embedded into the concrete.

Not surprisingly this striking quartz wall caused much debate at the time and the arguments about its authenticity still rage on.

Further reading

Stout G. & Stout M. 2008. Newgrange. Cork University Press. Cork.

Categories: Ireland | Tags: , , , ,

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