Fiber Art in Ireland with Nicola Brown :The Art of Eco Printing September 10-16, 2017
Join
us for an Irish experience and art retreat with textile artist Nicola Brown in County Carlow, Ireland! An accomplished felt maker, Nicola has also researched and developed a beautiful line of “eco printed” textiles and clothing, using natural materials from the hedgerow, kitchen, gardens and woods surrounding her home. Once gathered, this vegetation is bundled in silk, wool or handmade felt and processed in well water to extract beautiful colour and prints. Participants will discover
techniques, tips and processing methods, and can expect to create a variety of pieces during the week. This workshop is for anyone interested in learning the methods Nicola uses to achieve consistent and substantive prints on protein based fabric using a selection of local or easy to find natural vegetation (while enjoying the Irish countryside, food and culture!). These prints will be achieved in a simple and environmentally friendly way. Nicola is a renowned teacher, and has taught extensively on several continents. To learn more about her, and to see her at work, click on this video link: http://www.nicolabrown.ie/the-studio
Learn more about Nicola, read her blog, and view her artwork at http://www.nicolabrown.ie Expect an amazing workshop! There is also an “add-on” tour available in and near Dublin following the workshop.
See the full brochure here: fiber-art-and-ecoprinting-tour-2017
Contact your tour leader Joan Slack at joanslack33@gmail.com with questions …we hope you can join us! Space is limited to 8 people so sign up soon!

Many people ask about the art of feltmaking, and I want to share some details of our workshops, as well as ideas about how the fiber work is created.
animals, not only sheep, was created into magnificent rugs and tapestries, and many cultures have perfected the techniques to suit their needs and climate.
ng workshops using wet felting, often combined with needle felting, I began to explore using this way of working in my own art, and find that I am continually excited about the possibilities. I have taught workshops with all ages, and have received grants to work with school programs. It is always fascinating how quickly people can learn the technique and how to use the tools, and what successful art is created!
techniques and specialized ways to create shadow and depth. As we work, frequent discussions are held as the pieces progress, adjustments made, and the image takes shape.
A favorite project was one where I developed a curriculum o
n phenology, and taught students K-12 about the changes that occur throughout the year, such as the Equinoxes and Solstices. We created several panels that had to do with the 4 seasons, Celtic symbols, the Greenman mythology, and universal symbols.
For example, while walking in the landscape during a felt making workshop, I might take photos such as these, then , based upon the inspiration create a felted piece.











